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Why do we use paragraphs?
A paragraph is a self-contained unit of a discourse in writing dealing with a particular point or idea. A paragraph consists of one or more sentences. Though not required by the syntax of any language, paragraphs are usually an expected part of formal writing, used to organize longer prose.
The purpose of a paragraph is to express a speaker or writer's controlling idea and to support it with specifics. Most paragraphs in an essay have a three-part structure—introduction, body, and conclusion.
The introduction (first sentence) sets the stage for what follows and states the main point. The body (sentences 2-4) develops that point with supporting details and explanation. The conclusion (last sentence) reaffirms the main point or sums up what has been said.
A history of paragraphs in language
The creation of paragraphs, which are an essential component of text and communication, can be found in ancient times. Writing in classical times typically consisted of periods or paragraphs that separated the text into smaller sections. The writer was able to concentrate on one idea at a time because this particular layout had the ability to interrupt the flow of thought. This use of paragraphs first appears in the writings of Greek historians like Herodotus in the middle of the fifth century BC. In his histories, Herodotus divided events into paragraphs to make them easier to remember and connect. His classmate, the historian Thucydides (5th century BC), used paragraphs to organize his work similarly to Hermanotus. The paragraph's history can be followed from Greco-Roman culture in Europe to the Middle East and Western civilization. There is evidence that the Psalms were divided into paragraphs in the Hebrew Bible. Puncutation was also used by Arabic poets to separate stanzas in their works. The Qur'an, which may have been the first writing to use paragraphs in medieval times, is one example from the Arab world. Paragraphs first appear in written English in the Western world, particularly in manuscripts from the 13th and 14th centuries. Indentations and even tiny drawings were used by writers at the time to divide their works into sections. By the time of the Renaissance, more writers were using paragraphs in their writing, and the style of indentation became more consistent. The epistolary tradition, which focused on communicative pieces divided into shorter, alternating paragraphs, emerged during the 16th century. The first "modern" paragraph appeared in the middle of the 17th century. William Shakespeare and Christopher Marlowe both made use of the paragraph structure we know today. The text was divided into sections by this straightforward arrangement, making communication simpler and more efficient. William Mitchell, a contemporary of Shakespeare, published a collection of works on the structure and layout of the modern paragraph, perfecting its usage and style. Certain components of the paragraph have been added or removed over time. For instance, some texts now rely on embedded links and images that may have previously been deemed unnecessary. Nevertheless, the paragraph's foundation remains the same: a section of text that is separated from another by punctuation or format, allowing the author to concentrate on one idea at a time without being interrupted.
5 questions to help you come up with paragraphs
- What are the main topics I want to discuss in my paragraph?
- What examples and evidence can I include to support my points?
- What tone and style should I use for my paragraph?
- What specific words, phrases or images should I use?
- Where does the paragraph fit into the broader context of the writing?
Can I use the random paragraphs that this tool creates?
Yes you can. The Story Shack claims no copyright on any of these names, but it is of course possible that some of the values this name generator provides are already owned by anyone else, so please make sure to always do your due diligence.
How many ideas can I generate with this Random Paragraph Generator?
The Random Paragraph Generator can generate thousands of ideas for your project, so feel free to keep clicking and at the end use the handy copy feature to export your paragraphs to a text editor of your choice. Enjoy!
What are good paragraphs?
There's thousands of random paragraphs in this generator. Here are some samples to start:
Idea #1 | There was an accident. Bobby said there was an accident. He said I was in the accident. He said I caused the accident. | © Kristina England |
Idea #2 | To the eye of a visitor in those parts, the gloom outside threatened rain. I know, because I was a visitor in those parts, and when I looked out the window, I saw rain. | © Brian Moore |
Idea #3 | On the shores of the swamp, two teenagers fell in love during the twilight of an autumn night. He kicked off his shoes and rolled up his pants |
Idea #4 | she slid from her sandals and held the hem of her dress in her right hand. There were grimy jars underneath the back steps of the house. He unscrewed the lids and handed her one. She let go of the hem of her dress, and they waded into the water together. Dashing through the shallows, they caught an odd dozen of fireflies. After releasing their catch, he brushed a stray hair behind her ear and kissed her for the first time. | © Laura Konrad |
Idea #5 | During the day my father had the appetite of an elderly woman. A single poached egg and a bit of dry toast for breakfast. Lunch, a sliced tomato with a dollop of tuna fish. Later, a monk’s dinner, boiled chicken and stringy broccoli spears. But Pop’s diet belied his physique |
Idea #6 | he was rhino-shaped, five-foot-eight, sporting Buddha’s belly, and weighing-in at least an eighth of a ton. | © Timothy O’Leary |
Idea #7 | The elementalist had ruled the land for decades now, keeping his subordinates clenched tightly in his iron fist. He was the greatest, and last, sorcerer in the land, he had made sure of that. As a master of the elements, fear was his tactic, magic his weapon. On some days he would be benevolent, and bless his skinny farmers with a flow of rich waters to nourish the land. On others, he would send all-destroying hurricanes, fill the fields with rocks that attacked anyone who tried to remove them or simply send an inferno that incinerated entire harvests. Yes, his people lived in fear. | © Martin Hooijmans |
Idea #8 | Ellie retired today. She was eight and a half. She and Anna had known each other since they were both one week old. Ellie, an elephant head, was attached to the middle of a small blanket, about fifteen inches square. The blanket was pink, hemmed in green satin which Anna loved to stroke with her fingers while she sucked her thumb. Ellie covered Anna’s face when she didn’t want to be seen at all. Anna could not sleep without Ellie and carried her as she was crawling and, later, when she started to walk. Ellie traveled in the car, to restaurants, to birthday parties and Phillies games. Once the family forgot Ellie on a road trip and Anna’s dad had to turn around and pick her up or no one would be sleeping much at all. Ellie did not attend first or second grade though. She waited quietly on Anna’s bed until nightfall. | © Marian Brooks |
Idea #9 | The forest was filled with the sounds of machines. Rough men with chainsaws and loading trucks dominated the area, cutting down the mass of pine trees that stretched out for miles. One exquisitely great tree, the one they called ‘Lone Pine’, overlooked it all with a mixture of pride and sorrow. Pride, for he was the biggest tree, the master of all, the one left alone to grow stronger each year. Sorrow, for all his companions were taken away every time winter showed its snowy head. Of course they were replaced by new ones, but after years and years the giant tree did not bother getting too close to any of them anymore. Instead, he had become an advisor and leader to the other trees, using his size and the strength of his roots to impress. One time, a lady pine had been so amazed that she had dropped all her needles in awe. Now that was a tale worth telling to the young ones! | © Martin Hooijmans |
Idea #10 | Mud Boy splashed through the puddles and sloshed through the mud, then launched himself onto the soggy turf. The field was so rutted from dog play that he didn’t slide but stuck in place—his face submerged in two inches of water, his loins in cold mud. Mud Boy’s mother laughed nervously, for people were watching. Mud Boy smiled up with a wet clump of grass sticking out of his mouth. His mom smiled down at him. “You look like those dinos eating in our book.” | © Jon Sindell |
Idea #11 | Early in the morning, Wallace, Meg’s husband, went up a ladder to the rooftop to remove a bird’s nest clogging the rain spout. Later he jimmied off the wooden frame hanging over the basement door, which took some time. The wood was rotting and rainwater was seeping into the basement’s walls and onto the floor. Meg stayed at her piano. Wallace passed her in her piano room as he left the house an hour later, calling out, “I’m going to Home Depot to buy caulk.” He came directly home fifteen minutes later and caulked the gaps he’d made where he’d removed the door frame. | © Lisa Weiss |
Idea #12 | It’s amazing what one notices, when one finds out their time for noticing is coming to an end. Like you have spent your entire life walking around with your eyes shaded by a translucent curtain, and then one day, they are reopened like a shot of adrenaline straight to the heart. I wonder if we ever truly see things, even as a child. Like a new born seeing its mother’s breast for the first time. No, I don’t think we ever really care to see anything for what it truly is, until our eyes are awakened by the foresight of never seeing anything again. I think a man born without sight sees more with one simple touch of the hand then we do our entire lives. Sure, I suppose we see a lot, but do we ever stop to realize what we’re seeing? To let it sink in to our over developed alien brains? I think not. We are too busy rushing to our early graves to stop and “listen” to what we are actually seeing. | © Billy Mundane |